Daniel Press
I utilise the copying potential of digital fabrication and lost-wax casting processes to destabilise the tradition of monument-making. Monuments of the British monarchy are embedded within public spaces across the globe. For 'Send-Off', I communicate with public art authorities in Australia and beyond to coordinate 3D scans of these effigies. The resultant wax-cast sculptures are ghostly beings: each bearing the residue of inconsistent protocols, technologies, levels of access, and states of deterioration. 'Send-Off' gathers these unstable monuments together, before their dispersal to interstate locations.
Degree
Doctor of Philosophy (PhD)